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Contemporary African Art Collection by Jean Pigozzi

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Phénomène de la sape Cherin-Cheri
Cour des Grands Cherin-Cheri
Que nous réserve le 21ème siècle? Cherin-Cheri
Où va le monde? Cherin-Cheri
L'espoir fait vivre Cherin-Cheri
La bombe anatomique Cherin-Cheri
Moké : Le début de la fin Cherin-Cheri
Pourquoi ça ne tourne pas rond dans l'atelier ? Cherin-Cheri
Afrique en dérive Cherin-Cheri
Désolation Cherin-Cheri
Kinshasa par Chéri Chérin & Moke Fils, Beyrouth, Institut Français du Liban
from 05/04/17 to 05/28/17

Appelée « Kin-la joie, Kin-la folie » par le romancier congolais Achille Ngoye, Kinshasa est une ville en effervescence. Les toiles exposées à l'Institut français du Liban des peintres congolais Chéri Cherin et Moke Fils, qui couvrent la période 2007-2014, la retranscrivent dans toute l'ambiance, l'agitation, la fureur et le chaos qu'elle incarne. La peinture dite populaire, plus politique que naïve, règle aussi ses comptes avec le colonialisme, la corruption et le despotisme. Le poète Gustave Roud confiait au peintre le rôle de nous ouvrir les yeux. À travers les formes et les couleurs qu'ils emploient, Chéri Cherin et Moke Fils parviennent même à nous éblouir.

De son vrai nom Joseph Kinkonda, Chéri Chérin est l’une des figures de proue de la peinture dite populaire du Congo-Kinshasa. Il donne une interprétation africaine à des sujets et évènements internationaux avec la même verve ironique, drôle ou grinçante qu'il utilise pour peindre sa ville, ses moeurs et sa population.

Fils aîné du grand peintre congolais Moke, Moke fils a repris le nom et le trait de son père. De son vrai nom, Mosengwo Odia, Moke Fils évolue dans un style figurative. Couleurs industrielles, chaudes et vives, unies par un rythme varié et diversifié, ses tableaux racontent par la caricature la vie courante à Kinshasa, chaotique et tourmentée



Institut français du Liban
Espace des Lettres
Rue de Damas - Beyrouth

Contact : info.beyrouth@if-liban.com
Tel. : +961 1 420 200


Essentiel Paysage, MACAAL (Musée d'Art Contemporain Africain Al Maaden), Marrakech, Maroc
from 11/14/16 to 03/06/17

A l’occasion de la COP 22 qui se tient en novembre 2016 à Marrakech, la Fondation Alliances au Maroc présente l'exposition "Essentiel Paysage" mettant en valeur l’énergie créatrice actuelle du continent africain dans sa globalité géographique et sa diversité culturelle, mise au service des enjeux du développement durable.

L’exposition intitulée Essentiel Paysage rassemble une sélection d’artistes contemporains africains. Pour certains d’entre eux, leurs œuvres témoignent de leur ancrage dans un continent béni par la nature, soulignant l’interdépendance entre l’humain, l’animal et le végétal.

D’autres artistes portent un regard critique sur l’exploitation déraisonnable des ressources naturelles en Afrique et en dénoncent les effets délétères sur leur continent. Recourant à des métaphores visuelles ingénieuses, ces œuvres singulières, imaginatives ou savantes, donnent à voir avec lucidité un état d’esprit et un constat environnemental de l’Afrique d’aujourd’hui, tout en affirmant le désir d’y perpétuer une relation durable entre l’Homme et la Terre.



Essentiel Paysage” highlights the creative energy of the African continent in its geographical entirety and cultural diversity, through African artists current perception of nature and environment.
This exhibition brings together a selection of modern and contemporary African artists. Some of whom testify through their works to their anchoring in a continent that has been blessed by nature, underscoring the interdependence between humans, animals and plants. Others provide a critical perspective on the unsound utilization of natural resources in Africa and denounce its harmful effects. Using visual metaphors, these unique, imaginative or scholarly artworks present a kaleidoscopic picture of the current state of the environment.
It is a fact that nature plays a central role in modern African artistic and literary production. The very choice of the title of this exhibition, Essential landscape, taken from one of Aimé Césaire’s works, testifies to the importance attached by this poet to the imaginary world of nature and landscape, which he reinvested with the values of a postcolonial society in search of specific identity and modernity. The poet thus “claims to be of an essential Nature, and reappropriates a real or dream Africa, land of the origins, whose cosmogonies and myths of nature are evoked”. Today, many African artists have become aware of the need to preserve nature, this common good that is essential to life. In their own way, they have adopted an attitude shared by the international artists who have developed forms of art related to ecological-based issues. Their commitment is intended as a sensitive and aesthetic contribution to the debate on the globalized environmental challenges.


“Essentiel Paysage” is curated by Brahim Alaoui.

"Essentiel Paysage"
Une exposition conçue par Brahim Alaoui
MACAAL, Musée d'Art Contemporain Africain Al Maaden
Marrakech, Maroc
14 Novembre 2016 - 6 mars 2017

Diaporama

Dossier de presse


Congo Art Works. Peinture populaire, Bozar, Bruxelles, Belgique
from 10/07/16 to 01/22/17

AfricaMuseum@BOZAR est un espace de rencontre du Musée royal de l’Afrique centrale installé au Palais des Beaux-Arts pendant sa rénovation jusqu’en 2017.

Au même titre que la musique et la danse, la peinture populaire est profondément liée à la vie quotidienne. La République démocratique du Congo ne fait pas exception à la règle. L’univers de la peinture porte l’empreinte de la mémoire collective, comme l’illustre à merveille cette exposition présentant des tableaux réalisés entre 1968 et 2012. Portraits, paysages et peintures allégoriques y côtoient des toiles d’inspiration urbaine et historique, suscitant une réflexion critique sur la religion, la politique et les problèmes sociaux, souvent teintée d’une légère touche humoristique. Une sélection d’objets historiques, de photographies, dessins et pièces d’archives élargiront votre perspective en établissant des liens avec des formes d’art congolaises plus anciennes, tous horizons confondus. Il semble d’ailleurs que le message porté par les toiles populaires ne dévie que très peu du rôle prêté par la société congolaise à ces formes artistiques antérieures.

Commissaires : Bambi Ceuppens (anthropologue) et Sammy Baloji (artiste)

Une exposition du Musée Royal de l'Afrique Centrale, en collaboration avec le Palais des Beaux-Arts de Bruxelles.



Beauté Congo – 1926-2015 – Congo Kitoko, Fondation Cartier, Paris
from 07/11/15 to 01/10/16

A place of extraordinary cultural vitality, the Democratic Republic of the Congo will be honored in the exhibition Beauté Congo – 1926-2015 – Congo Kitoko presented at the Fondation Cartier pour l’art contemporain with André Magnin, Chief Curator.

Modern painting in the Congo in the 1920s
Taking as its point of departure the birth of modern painting in the Congo in the 1920s, this ambitious exhibition will trace almost a century of the country’s artistic production. While specifically focusing on painting, it will also include music, sculpture, photography, and comics, providing the public with the unique opportunity to discover the diverse and vibrant art scene of the region.

Precursors
As early as the mid-1920s, when the Congo was still a Belgian colony, precursors such as Albert and Antoinette Lubaki and Djilatendo painted the first known Congolese works on paper, anticipating the development of modern and contemporary art. Figurative or geometric in style, their works represent village life, the natural world, dreams and legends with great poetry and imagination. Following World War II, the French painter Pierre Romain-Desfossés moved to the Congo and founded an art workshop called the Atelier du Hangar. In this workshop, active until the death of Desfossés in 1954, painters such as Bela Sara, Mwenze Kibwanga and
Pili Pili Mulongoy learned to freely exercize their imaginations, creating colorful and enchanting works in their own highly inventive and distinctive styles.

Popular painters
Twenty years later, the exhibition Art Partout, presented in Kinshasa in 1978, revealed to the public the painters Chéri Samba, Chéri Chérin, and Moke and other artists, many of whom are still active today. Fascinated by their urban environment and collective memory, they would call themselves “popular painters.” They developed a new approach to figurative painting, inspired by daily, political or social events that were easily recognizable by their fellow citizens. Papa Mfumu’eto, known for his independent prolific comic book production and distribution throughout Kinshasa in the 1990s, also explored daily life and common struggles throughout his work. Today younger artists like J.-P. Mika and Monsengo Shula, tuned-in to current events on a global scale, carry on the approach of their elders.



Luminós/C/ity.Ordinary Joy: From the Pigozzi Contemporary African Art Collection, Ethelbert Cooper Gallery of African & African American Art, Harvard University, Cambridge, MA, USA
from 10/21/14 to 01/08/15
"We are pleased to announce that the Ethelbert Cooper Gallery’s inaugural exhibition will comprise selections from the Jean Pigozzi Collection of Contemporary African Art (CAAC). David Adjaye, the renowned British-Ghanaian architect and the designer of the Cooper Gallery and the Hutchins Center façade, also serves as co-curator of this first exhibit, along with Mariane Ibrahim-Lenhardt. Adjaye heads a curatorial team that offers a unique dialogue between art and space that we think will set the tone for exhibitions to come. Luminós/City.Ordinary Joy will feature 69 works by 21 artists. It illuminates the everyday, ordinary, and ubiquitous world of the city characteristic of so many of the works in Pigozzi’s collection, evoking a sense of place and facilitating a dialogue between body, home, transit, and dynamic urban dwellings. The models, sculptures, photographs, paintings, and videographies of vital city life will convey a vibrant urgency to the Gallery’s visitors."

Opening in fall 2014, the newly established Ethelbert Cooper Gallery is one of eight flagships of the Hutchins Center at Harvard University. It will feature both contemporary and historical exhibitions and installations of African and African American art of a global diaspora. The innovative and distinctively designed gallery exhibit spaces will house shows organized by curators, faculty, artists, students, and distinguished guests. The gallery will host a wide range of dynamic workshops, artist talks, symposia, lectures and performances to engage audiences with diverse art archives and cultural traditions from all over the world.


JAPANCONGO, Garage Center for Contemporary Culture, Moscow, Russia
from 07/08/11 to 08/20/11
German artist Carsten Höller has created JapanCongo, an exhibition featuring works from the art collection of Jean Pigozzi.

The exhibit brings together the world of African and Japanese art under one roof. Fifteen Congolese artists will be displayed including the talents of Peter Bodo, Chéri Samba, Pathy Tshindele, Jean Depara, Cheik Ledy and Bodys Isek Kingelez. An equal number of Japanese artists will also be displayed with works from Natsumi Nagao, Nobuyoshi Araki, Akihiro Higuchi, Kazuna Taguchi, Kaneuji Teppei, Hiroki Tsukuda and Keiichi Tanaami.

JapanCongo was first exhibited in France at Le Magasin in Grenoble. It will travel to Russia at The Garage - Center for Contemporary Culture of Moscow in summer 2011.

Visit

Location
Garage Center of Contemporary Culture
127055
19A Ulitsa Obraztsova
Moscow
T (+7 495) 645-05-20
E welcome@garageccc.com


JAPANCONGO: Carsten Höllerʼs double-take on Jean Pigozziʼs collection, Magasin, Grenoble, France
from 02/06/11 to 04/24/11
German artist Carsten Höller has created JapanCongo, an exhibition featuring works from the art collection of Jean Pigozzi.

The exhibit brings together the world of African and Japanese art under one roof. Fifteen Congolese artists will be displayed including the talents of Peter Bodo, Chéri Samba, Pathy Tshindele, Jean Depara, Cheik Ledy and Bodys Isek Kingelez. An equal number of Japanese artists will also be displayed with works from Natsumi Nagao, Nobuyoshi Araki, Akihiro Higuchi, Kazuna Taguchi, Kaneuji Teppei, Hiroki Tsukuda and Keiichi Tanaami.

JapanCongo opens in France at Le Magasin - Centre National d'Art Contemporain in Grenoble, from February 6th to April 24th 2011. Then it will travel to Russia at The Garage - Center for Contemporary Culture of Moscow in June 2011 and Italy at the Palazzo Reale - CIMAC of Milan in September 2011.

Curator: Carsten Höller
Venue: CNAC - Le Magasin
Centre National d Art Contemporain
Site Bouchayer-Viallet,
155, cours Berriat
F-38000 Grenoble
Tel: 04 76 21 95 84
Fax: 04 76 21 24 22
info@magasin-cnac.org


AFRICA? Una nuova storia, Complesso del Vittoriano, Rome, Italy
from 11/19/09 to 01/17/10


Roma.Africa? Una nuova storia: dal 19 novembre 2009 al 17 gennaio 2010 il Complesso del Vittoriano ospita per la prima volta nella capitale una grande mostra che vuole far conoscere larte contemporanea africana attraverso 80 opere tra dipinti, sculture, istallazioni, video di 30 artisti di diverse generazioni nati nei Paesi dellAfrica Sub-Sahariana. Lesposizione, a cura di André Magnin, è divisa in due sezioni: La Collezione Pigozzi di Arte Contemporanea Africana presenta le opere di artisti provenienti dalla celebre Collezione di Jean Pigozzi, il più importante collezionista di arte contemporanea africana; la sezione ArtistiAfricani è costituita dalle opere di artisti indicati da diverse Ambasciate di Paesi africani.

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Press articles: La Repubblica Roma, EventiaRoma.it, Global Project, Roma Beni Culturali, Eclipse Magazine, Cultura Italia, UnDo.Net, Cultura Lazio

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In this exhibition dedicated to contemporary African art, the Caac is showing works by 20 artists from the collection


3 Moscow Biennale of Contemporary Art, Garage Museum of Contemporary Art, Russia
from 09/25/09 to 11/01/09


Garage was proud to host the Third Moscow Biennale: Against Exclusion by French curator Jean-Hubert Martin and Commissioner of the Moscow Biennale Joseph Backstein.

The show brought together over seventy international artists to illustrate the process of globalisation and national self-identification. It explored the idea that ‘it is no longer possible to live in isolation, ignoring your neighbors’ in today’s globalized world, as artists also drew on aesthetic and cultural references from different countries for their work, they could also be seen to share themes. Shared references and themes could be seen in the drawings of the African artist Frédéric Bruly Bouabré, as he told the myths of his tribe, the lubok pictures by the Ukrainian artist Stas Volyazlovsky and work by the Russian outsider artist Alexander Lobanov. All their work at Against Exclusion, explored variations on the theme of identity. Identity connected to national, social, gender, racial, ethnic, ecological, and political themes were also explored in the work of Marina Abramović, Vik Muniz, Pavel Pepperstein, Yinka Shonibare. Other artists examined the evolution of form within art through the work of Anish Kapoor, Tony Cragg, Dmitry Gutov, Heinz Mack and Markus Raetz.



Works of the following Caac artists will be shown during the Moscow Biennale, at the Garage Center for Contemporary Culture, in the exhibiton entitled "Against Exclusion", curated by Jean Hubert Martin: Frédéric Bruly Bouabré, Chéri Chérin, Romuald Hazoumé, Kané Kwei, Esther Mahlangu, Chéri Samba, Cyprien Tokoudagba.




‘Popular Painting’ from Kinshasa, Tate Modern, London, England
from 03/24/07 to 03/01/08

Tate Modern Level 5, London.
Photo: ©Tate Modern

The display ‘Popular Painting’ from Kinshasa opens on 24 March at Tate Modern and will be located within the collection displays, UBS Openings: Tate Modern Collection. It features eight paintings by a group of five artists from Kinshasa, Democratic Republic of Congo, collectively known as the ‘School of Popular Painting’.

In the mid 1970s the ‘School of Popular Painting’ was founded in Kinshasa by Chéri Samba (born 1956) who was joined by Moke (1950–2001), Chéri Chérin (born 1955), and Bodo (b.1953). Chéri Samba’s younger brother, Cheik Ledy (1962 – 1997), later became associated with the group. These five artists, three of whom continue to live and work in Kinshasa, are widely regarded as being among the leading contemporary African painters within sub-Saharan Africa.

The term ‘popular’ reflects the artists’ continuing interest in depicting themes and images that derive from popular culture and everyday life. Their work critically engages with the social and political situations of their local community, such as issues of international aid, conflict, sexuality, and cultural tourism. These are addressed using frank and symbolic imagery, seen for example in a large mural painting by Bodo called Monde en tourbillon! Où l’on va?, 2006. The experience of being an artist is also explored in several works including Untitled, 2001, by Moke, whose tongue-in-cheek painting depicts himself as the financially successful artist or dealer in the centre foreground.

Largely self-taught, the artists bring to painting expertise developed from a variety of backgrounds, from comic strip artistry as seen in the work of Chéri Samba, to billboard and sign painting. Their vibrant palettes and frequent inclusion of textual elements within the large canvases reflect these influences. While each artist has his own particular brand of reportage, all approach painting as a universal medium with the utopian potential to effect change. In some cases, political or social conflicts are portrayed as chaotic and all-consuming, and in others, personal impressions of these situations are treated ironically and satirically.

The paintings are seen in the context the ‘States of Flux’ suite on Level 5, which presents works by modern and contemporary artists who moved away from traditional picture-making towards a dynamic and forceful visual language to engage with modern life. The techniques of montage and appropriation as well as the critical engagement with politics and society run throughout the suite.

The paintings are on loan from the Contemporary African Art Collection (CAAC), Geneva, which was founded in 1989 by Jean Pigozzi and curated from the outset by André Magnin. It is the largest private collection of its kind and has helped many African artists to show their work in major institutions around the world. As part of Tate Modern’s commitment to showing international Modern and Contemporary art, including art from regions of the world beyond Europe and America, ‘Popular Painting’ from Kinshasa is the first collection display at Tate to present work by artists who were born in and continue to work in Africa.

This display has been made possible by the generous support of the Contemporary African Art Collection and Jean Pigozzi. It is curated by Sheena Wagstaff, Chief Curator, Tate Modern, with assistance from Cliff Lauson, Curatorial Assistant, Tate Modern, in collaboration with André Magnin, Curator, CAAC.



Why Africa? Pinacoteca Giovanni e Marella Agnelli, Turin, Italy
from 10/06/07 to 02/03/08


THE PIGOZZI COLLECTION
6 October 2007 – 3 February 2008
curated by André Magnin

The Pinacoteca Giovanni e Marella Agnelli is pleased to present Why Africa? The Pigozzi collection, as part of its new cultural programme dedicated to art collections.

The exhibition is having its Italian première, curated by André Magnin, Artistic Director of Contemporary African Art Collection (the Pigozzi collection), the world’s most important collection of contemporary African art.

Created in 1989 by the joint efforts of Jean Pigozzi and André Magnin, who was deputy curator of the exhibition Les Magiciens de la Terre being held at the Pompidou Centre at the time, the collection is constantly evolving with the addition of works by artists of various generations from sub-Saharian Africa. It maintains strong links with the artists it supports, giving them visibility and recognition on the international art scene, and this was confirmed this year when the 52nd International Venice Biennale awarded a Golden Lion for lifetime achievements to 72 year old photographer Malick Sidibé, because no one is worthier than him to receive this honour (Robert Storr).

Jean Pigozzi reveals his passion and obsession for African art in about one hundred works selected from the collection, several of which have never been exhibited before. The exhibition includes drawings, paintings, sculpture, photographs, installations and site specific works as the one conceived by the South -African artist Esther Mahlangu for the new Fiat 500.

The great wealth of African contemporary artistic output is presented through the work of several artists -Frédéric Bruly Bouabré, Bodys Isek Kingelez, Chéri Samba and Malick Sidibé, George Lilanga and Keita Seydou, precursors of contemporary African art who died recently – who overcame the stereotype of folklore and decorative art of the postcolonial period and forged links with Western art, developing their own autonomous language.

The majority of these artists produce works that are figurative or inspired by current topics, depicting a reality that is both local and global.

One of the most obvious constants is the deep bond with the territory: the artists address the territory first and foremost, and they work with what is familiar to them; their art is inclusive, rooted in history and against division. Art that comes from the people, addresses the people and returns to the people, in the words of André Magnin.

The exhibition will be presented in a special setting created by Ettore Sottsass and Marco Palmieri.

A number of conferences and meetings and a film screening dedicated to Africa will be organised during the exhibition, supporting by ERSEL.

The guide to the exhibition has been realized by Fabrica, Benetton research centre on communications. Created to lead the visitor through the ‘itinerary’ of the show, the guide offers an insight to the artists and their work.



Africa Remix: Contemporary Art of a Continent, Johannesburg Art Gallery, South Africa
from 06/24/07 to 09/30/07

'Africa Remix: Contemporary Art of a Continent' features the work of more than 85 artists from 25 countries on the African continent and the Diaspora. Considered to be the largest exhibition of contemporary African art ever seen in Europe, it includes painting, sculpture, installation, video, drawing, photography and design.

'Africa Remix' explores the themes of city and land (the contrasting experiences of urban and rural life), identity and history (including issues of tradition and modernity and the relation of the individual to the community), and body and soul (religion, spirituality, emotion and sexuality).

Cameroon-born, Paris-based curator and critic Simon Njami curated the exhibition, which was launched at the Museum Kunst Palast, Düat;sseldorf, in 2004. The show subsequently travelled to the Hayward Gallery, London; Centre Pompidou, Paris; the Mori Art Museum, Tokyo; and the Moderna Museet, Stockholm. 'Africa Remix' will be open for the first time in Africa at the Johannesburg Art Gallery.



Opens: June 24
Closes: September 30



Johannesburg Art Gallery King George Street, (between Wolmarans and Noord Streets), Joubert Park, Johannesburg
Tel: (011) 725 3130
Email: amyw@joburg.org.za
Hours: Tue - Sun 10am - 5pm


100% Africa, The Guggenheim Bilbao, Spain
from 10/12/06 to 02/18/07

This exhibition presents 25 contemporary African artists who live and work in sub-Saharan Africa. Painters, draftsmen, photographers, sculptors, and video artists from several generations are featured, including artists of international renown like portrait artist Seydou Keïta, painters Chéri Samba, George Lilanga, and Richard Onyango, the encyclopedist and universalist Frédéric Bruly Bouabré, the unclassifiable Bodys Isek Kingelez and Romuald Hazoumé, as well as younger, highly promising artists such as Abu Bakarr Mansaray, Titos Mabota, Pathy Tshindele, and Calixte Dakpogan, in an installation by leading Italian designer Ettore Sottsass and by Marco Palmieri, a prominent member of Sottsass’s team.



Africa Remix: Contemporary Art of a Continent, Mori Art Museum, Tokyo, Japan
from 05/27/06 to 08/31/06

Africa - what comes to mind when envisaging this vast continent? Africa is marked by diversity - the beauty and majesty of its deserts, savannahs and tropical rainforests as well as by the soaring high-rises of its cities. This continent, 80 times the area of Japan, is a collection of countries with a multiplicity of traditions, cultures, peoples, religions and languages. Its allure is in direct proportion to its vastness.

Africa Remix provides an introduction to the surprisingly little known cultural richness of Africa today. It is an exhibition of around 140 works by 84 artists from 25 countries spanning the length and breadth of the continent as well as a series of supporting programs - talks, film, music, even food. African contemporary art has never been shown on such a large scale before and the exhibition includes painting, drawing, sculpture, assemblage, installation, photography, video, music and furniture design. Visitors will encounter the creative energy of today's African art as well as the power of expression that runs through life there.

“Remix” is a musical term that means creating new music by putting together original sound sources in a different way. The individual works in this exhibition move away from previous stereotypes by playing and resonating in a remix that conveys the contemporary African situation in a dynamic and compelling rhythm - one that we hope will capture your heart and mind.
This exhibition of contemporary African art can be your first step in getting to know more about Africa. Imagine that you are crossing the African continent and expand your world of imagination and experience by visiting Africa Remix.

This exhibition has already been shown at the museum kunst palast, Düsseldorf, the Hayward Gallery, London, and the Centre Pompidou, Paris, all of which collaborated with the Mori Art Museum its organization. (Chief Curator: Simon Njami)


Mori Art Museum:
53F, Roppongi Hills Mori Tower,
6-10-1 Roppongi, Minato-ku,
Tokyo, Japan
Tel: 81-(0)3-5777-8600 (Hello Dial)


Africa Remix: l'art contemporain d'un continent, Centre Pompidou, Paris, France
from 05/25/05 to 08/08/05

Après Düsseldorf et Londres, le Centre Pompidou accueille Africa Remix, première grande exposition d'art contemporain africain.

Africa Remix regroupe les œuvres d'artistes déjà présents dans les circuits de l'art contemporain ainsi que le travail de jeunes artistes encore peu connus. Cette exposition met en avant 84 artistes africains ou d'origine africaine, des femmes et des hommes vivant sur le continent africain ou ailleurs. Plus de 200 œuvres sont présentées. Africa Remix dresse un état de la création africaine dans ses développements les plus récents. Remix signifie, pour Jean Hubert Martin, commissaire de l'exposition de Dusseldorf : "que les chances sont redistribuées, que nous nous trouvons en présence d'une situation hybride, reflet de la globalisation". Cette exposition présente un état de l'art africain d'aujourd'hui, en prise directe avec les tendances les plus novatrices de la création contemporaine.

La plupart des artistes présentés traite des questions actuelles d'une réalité africaine post-coloniale. Ils appartiennent à une génération qui a grandi avec internet et vit les mutations africaines. Une grande variété de modes d'expression est représentée dans l'exposition : peinture, dessin, sculpture, assemblage, installation, photographie, vidéo, design, musique. Cette diversité rend compte de la richesse de la création africaine contemporaine, du Maghreb à l'Afrique du Sud en passant par l'Afrique sub-saharienne. "Africa Remix" devrait changer notre regard sur le mythe de l'Afrique.



Africa Remix: Contemporary Art of a Continent, Hayward Gallery, London, England
from 02/10/05 to 04/17/05

Africa - what comes to mind when envisaging this vast continent? Africa is marked by diversity - the beauty and majesty of its deserts, savannahs and tropical rainforests as well as by the soaring high-rises of its cities. This continent, 80 times the area of Japan, is a collection of countries with a multiplicity of traditions, cultures, peoples, religions and languages. Its allure is in direct proportion to its vastness.

Africa Remix provides an introduction to the surprisingly little known cultural richness of Africa today. It is an exhibition of around 140 works by 84 artists from 25 countries spanning the length and breadth of the continent as well as a series of supporting programs - talks, film, music, even food. African contemporary art has never been shown on such a large scale before and the exhibition includes painting, drawing, sculpture, assemblage, installation, photography, video, music and furniture design. Visitors will encounter the creative energy of today's African art as well as the power of expression that runs through life there.

“Remix” is a musical term that means creating new music by putting together original sound sources in a different way. The individual works in this exhibition move away from previous stereotypes by playing and resonating in a remix that conveys the contemporary African situation in a dynamic and compelling rhythm - one that we hope will capture your heart and mind.
This exhibition of contemporary African art can be your first step in getting to know more about Africa. Imagine that you are crossing the African continent and expand your world of imagination and experience by visiting Africa Remix.



Africa Remix: Contemporary Art of a Continent, Museum Kunstpalast, Düsseldorf, Germany
from 07/24/04 to 11/07/04

Africa - what comes to mind when envisaging this vast continent? Africa is marked by diversity - the beauty and majesty of its deserts, savannahs and tropical rainforests as well as by the soaring high-rises of its cities. This continent, 80 times the area of Japan, is a collection of countries with a multiplicity of traditions, cultures, peoples, religions and languages. Its allure is in direct proportion to its vastness.

Africa Remix provides an introduction to the surprisingly little known cultural richness of Africa today. It is an exhibition of around 140 works by 84 artists from 25 countries spanning the length and breadth of the continent as well as a series of supporting programs - talks, film, music, even food. African contemporary art has never been shown on such a large scale before and the exhibition includes painting, drawing, sculpture, assemblage, installation, photography, video, music and furniture design. Visitors will encounter the creative energy of today's African art as well as the power of expression that runs through life there.

“Remix” is a musical term that means creating new music by putting together original sound sources in a different way. The individual works in this exhibition move away from previous stereotypes by playing and resonating in a remix that conveys the contemporary African situation in a dynamic and compelling rhythm - one that we hope will capture your heart and mind.
This exhibition of contemporary African art can be your first step in getting to know more about Africa. Imagine that you are crossing the African continent and expand your world of imagination and experience by visiting Africa Remix.




Biography (EN - FR) / Exhibitions

Please note that the artworks shown on this website are not for sale.

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Les défis de la mondialisation Cherin-Cheri
LES REFUGIES DE KINGASANI Cherin-Cheri
Conflit de generation Cherin-Cheri
Monde en effervessence Cherin-Cheri
L'esclavagisme (2006) Cherin-Cheri
Le Sud: poubelle du Nord ?  Cherin-Cheri
Prison des obligations (2008) Cherin-Cheri
Les nouveaux maîtres du monde (2008) Cherin-Cheri


Art exhibitions featuring Chéri Chérin - © 2010-2017 The Contemporary African Art Collection - Contact Caacart - Seydou Keita Photographer, the official website, new, click here