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Contemporary African Art Collection by Jean Pigozzi

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Lumbricost-Terestial (19) Mansaray-Abu-Bakarr
Inferno (27) Mansaray-Abu-Bakarr
Kaitiri Watini (26) Mansaray-Abu-Bakarr
Metal Storm II (25) Mansaray-Abu-Bakarr
Diabase (23) Mansaray-Abu-Bakarr
Ginna Avion (21) Mansaray-Abu-Bakarr
Death duel (20) Mansaray-Abu-Bakarr
DGP Universal (30) Mansaray-Abu-Bakarr
Sector A’Bubak (28) Mansaray-Abu-Bakarr
Nuclear telephone discovered in Hell Mansaray-Abu-Bakarr
Allien Resurrection Mansaray-Abu-Bakarr
Sinister project Mansaray-Abu-Bakarr
Crucial invention of  Mansaray-Abu-Bakarr
The metal falcone Mansaray-Abu-Bakarr
Evil detector Mansaray-Abu-Bakarr
Beyond Creation Mansaray-Abu-Bakarr
Digital Man Mansaray-Abu-Bakarr
Dogs of Hell Mansaray-Abu-Bakarr
Art/Afrique, le nouvel atelier, Fondation Louis Vuitton, Paris, France
from 04/26/17 to 08/28/17

Chéri Samba, J'aime la couleur, 2003, Collection de la Fondation Louis Vuitton
© Chéri Samba - Photographe : Claude Germain, Primae.



Du 26 avril au 28 août 2017, la Fondation Louis Vuitton présente Art/Afrique, le nouvel atelier.

L'exposition constitue un panorama de la création récente de l'Afrique subsaharienne à l'Afrique du sud à travers trois axes :

Les Initiés, un choix d’œuvres de la collection d’art africain de Jean Pigozzi (1989-2009)
Être là, Afrique du Sud, une scène contemporaine
L’Afrique dans la Collection de la Fondation Louis Vuitton


Les Initiés

L’exposition Les Initiés réunit une sélection d’œuvres de quinze artistes emblématiques de la collection d’art
contemporain africain de l’homme d’affaire Jean Pigozzi, présentée pour la première fois à Paris.

Dès 1989, Jean Pigozzi fait appel à André Magnin, qui va arpenter le continent africain pour constituer sa collection, à la rencontre d’artistes vivant et travaillant en Afrique subsaharienne. À une époque qui ne connaît ni téléphone portable, ni internet, il parvient à nouer de véritables liens avec des artistes locaux, dont il dévoile la liberté et l’originalité.

La détermination et l’engagement qui ont présidé à cette collection ont permis la constitution d’un fonds unique, aux partis pris affirmés, qui, dans sa diversité, témoigne de l’un des visages de la création contemporaine en Afrique, de 1989 à 2009.

Éclectique et libre, la collection Pigozzi ne privilégie aucun médium et vise à représenter chaque artiste par
des ensembles conséquents. Elle a révélé une scène jusqu’alors méconnue, lui permettant d’élargir son audience et sa résonnance internationale. Cette collection a ainsi joué un rôle prescripteur indéniable.

Les artistes de l’exposition, tous héritiers de savoirs spirituels, scientifiques et techniques, développent des mondes aux multiples expressions et supports. En ce sens, ce sont des « initiés ».

L’exposition, conçue par la direction artistique de la Fondation Louis Vuitton, a été réalisée en étroite collaboration avec Jean Pigozzi.


Commissaire général : Suzanne Pagé; Conseiller : André Magnin ; Commissaires : Angéline Scherf et Ludovic Delalande ; Scénographie : Marco Palmieri.

OUVERTURE DE LA BILLETTERIE LE 6 MARS 2017


Regarding Africa: Contemporary Art and Afro-Futurism, Tel Aviv Museum of Art, Tel Aviv, Israel
from 12/09/16 to 04/22/17
Musclemen Series, 2012, by Leonce Raphael Agbodjelou


This large-scale group exhibition presents art being made today in, or about, Africa, from an Afro-futurist perspective that challenges traditional divisions: fantasy, imagination and cosmology, usually associated with past mythology, are incarnated into science fiction and futurist representation. The various narratives span between colonialism and its ramifications to a re-examination of the African body, landscape and culture—through utterances that shatter the usual distinction between truth and fiction, between myth and science, between technology and spirituality.


CURATOR:
Ruth Direktor

LOCATION:
Lilly & Yoel Moshe Elstein Multi-Purpose Gallery Herta and Paul Amir Building


Flow of Forms / Forms of Flow. Design Histories between Africa and Europe, The Faculty of History and Arts - Ludwig-Maximilians-Universität Munich, Germany
from 02/03/17 to 03/12/17


Those who are familiar with artistic production and the cultural debates of Africa and its diaspora are sure to have heard about the innovative fashion and product design scenes on the continent as well. At international design fairs, in exhibitions and in the media, everyone is talking about “African design” – a style that combines established ideas of design with everyday demands and fast-paced technological development, and interconnects them across the globe. But what dynamics are at work behind this new catchphrase? Have depictions of “African design” accurately described this trend so far?

In collaboration with the Architecture Museum of the TU Munich, the Museum “Fünf Kontinente”, and the Kunstraum München, the Institute for Art History at the LMU Munich is organising the exhibition project “Flow of Forms / Forms of Flow” to address these questions and offer a new perspective on design history.
In cooperation with the Berlin-based model project Cucula - Refugees Company for Crafts and Design, Cheick Diallo/Diallo Design and the Centre La Médina Art & Culture in Mali, stationary interventions in Munich will present a transcultural, historically-interconnected perspective which starkly contrasts typical survey shows on African design.

The project highlights five thematic areas at four venues in Munich. These will emphasise the interactions, as well as the processes of exchange and translation, in which design serves a mediating function: Material Morphosis (Stoff-Wechsel), Forms of Modernity, Forms of Participation/Cooperation, Transform(N)ation and Speculative Forms. The project attempts to overcome Eurocentric dichotomies, e.g. traditional and modern, hand-crafted and industrial, formal and informal, and replace our conventional one-sided view of design history with a multitude of global design histories.

Artistic directors: Kerstin Pinther (DE), Alexandra Weigand (DE). In collaboration with Art History students at the LMU Munich


Blog

Downloads (PDF files):
Flow of Forms_Exposé English (152 KByte)
Flow of Forms_Exposé Français (162 KByte)


Essentiel Paysage, MACAAL (Musée d'Art Contemporain Africain Al Maaden), Marrakech, Maroc
from 11/14/16 to 03/06/17

A l’occasion de la COP 22 qui se tient en novembre 2016 à Marrakech, la Fondation Alliances au Maroc présente l'exposition "Essentiel Paysage" mettant en valeur l’énergie créatrice actuelle du continent africain dans sa globalité géographique et sa diversité culturelle, mise au service des enjeux du développement durable.

L’exposition intitulée Essentiel Paysage rassemble une sélection d’artistes contemporains africains. Pour certains d’entre eux, leurs œuvres témoignent de leur ancrage dans un continent béni par la nature, soulignant l’interdépendance entre l’humain, l’animal et le végétal.

D’autres artistes portent un regard critique sur l’exploitation déraisonnable des ressources naturelles en Afrique et en dénoncent les effets délétères sur leur continent. Recourant à des métaphores visuelles ingénieuses, ces œuvres singulières, imaginatives ou savantes, donnent à voir avec lucidité un état d’esprit et un constat environnemental de l’Afrique d’aujourd’hui, tout en affirmant le désir d’y perpétuer une relation durable entre l’Homme et la Terre.



Essentiel Paysage” highlights the creative energy of the African continent in its geographical entirety and cultural diversity, through African artists current perception of nature and environment.
This exhibition brings together a selection of modern and contemporary African artists. Some of whom testify through their works to their anchoring in a continent that has been blessed by nature, underscoring the interdependence between humans, animals and plants. Others provide a critical perspective on the unsound utilization of natural resources in Africa and denounce its harmful effects. Using visual metaphors, these unique, imaginative or scholarly artworks present a kaleidoscopic picture of the current state of the environment.
It is a fact that nature plays a central role in modern African artistic and literary production. The very choice of the title of this exhibition, Essential landscape, taken from one of Aimé Césaire’s works, testifies to the importance attached by this poet to the imaginary world of nature and landscape, which he reinvested with the values of a postcolonial society in search of specific identity and modernity. The poet thus “claims to be of an essential Nature, and reappropriates a real or dream Africa, land of the origins, whose cosmogonies and myths of nature are evoked”. Today, many African artists have become aware of the need to preserve nature, this common good that is essential to life. In their own way, they have adopted an attitude shared by the international artists who have developed forms of art related to ecological-based issues. Their commitment is intended as a sensitive and aesthetic contribution to the debate on the globalized environmental challenges.


“Essentiel Paysage” is curated by Brahim Alaoui.

"Essentiel Paysage"
Une exposition conçue par Brahim Alaoui
MACAAL, Musée d'Art Contemporain Africain Al Maaden
Marrakech, Maroc
14 Novembre 2016 - 6 mars 2017

Diaporama

Dossier de presse


Magic and Power Of Magic Carpets and Drones, Marta Herford Museum, Germany
from 02/27/16 to 06/05/16
Magic and Power
From magic carpets to drones


The exhibition draws us into spheres which are both magical and menacing, and shows how flying objects can inspire our imagination and at the same time spread a disturbing atmosphere of clandestine observation.

The show is a highly extended version of the presentation “Heaven and Hell” conceived last year by Diane Hennebert and Christophe Dosogne for the Boghossian Foundation – Villa Empain in Brussels.

Featured Artists:

Adel Abdessemed, Jananne Al-Ani, Nevin Aladağ, Bilal Bahir, Axel Brechensbauer, Cai Guo-Qiang, Solano Cardenas, Tim Cierpiszewski, Eleven Play, Parastou Forouhar, Alicia Framis, Gregoire Gicquel, Oliver Grajewski, Laurent Grasso, Adam Harvey, IOCOSE, Pravdoliub Ivanov, Alain Josseau, Nadia Kaabi-Linke, Babak Kazemi, Krištof Kintera, Julien Leresteux, Li Wei, Urs Lüthi, Pierre Malpettes, Abu Bakarr Mansary, Farhad Moshiri, Nik Nowak, Panamarenko, Ruben Pater, Sebastian Reuzé, Patrick Rieve, Samuel Rousseau, Moussa Sarr, Björn Schülke, Jalal Sepehr, Roman Signer, Slavs and Tatars, Andreas Slominski, Rikrit Tiravanija, Addie Wagenknecht


Independent Brussels, Belgium
from 04/20/16 to 04/23/16
La Galerie MAGNIN-A sera présente du 20 au 23 avril 2016 à la foire d'art contemporain Independent Brussels.

Elle exposera, entre autres, des oeuvres de Romuald Hazoumè, Houston Maludi, Abu Bakarr Mansaray

Stand MAGNIN-A : quatrième étage.

Entrée gratuite et ouverte au public.

VERNISSAGE :
Mercredi 20 avril : 18h-20h

OUVERTURE AU PUBLIC :
Jeudi 21 avril : 14h-19h
Vendredi 22 avril : 12h-19h
Samedi 23 avril : 12h-19h

Vanderborght building
Schildknaaksstraat 50
Rue de l’Ecuyer
1000 Brussels

Metro: De Brouckère or Central Station
Parking: Interpark Ecuyer Schildknaaps Straat


Unorthodox, The Jewish Museum, NY, USA
from 11/06/15 to 03/27/16
This November, the Jewish Museum will present Unorthodox, a large-scale group exhibition featuring over 50 contemporary artists from around the world whose practices mix forms and genres without concern for artistic conventions. Though the artists in Unorthodox come from a wide variety of backgrounds and generations, they are united in their spirit of independence and individuality. Through over 200 works, the exhibition will highlight the importance of iconoclasm and art’s key role in breaking rules and traditions. Numerous works that examine social and political values, religion and humanism, trauma, and identity explore the relationship between the human figure and the modern creative process.


L’art et la machine, Musée des Confluences, Lyon, France
from 10/13/15 to 01/24/16
L’art et la machine présente la relation étroite entre le regard de l’artiste sur la machine et l’évolution des technologies industrielles et mécaniques, depuis les planches techniques de l’Encyclopédie au XVIIIe siècle, jusqu’à aujourd’hui, à l’ère électronique.

Le parcours de l’exposition révèle les liens constants qui existent entre les machines et les arts plastiques. Le regard du public oscille ainsi à chaque instant entre l’esthétique mécanique et son interprétation artistique. Il est invité à partager tour à tour la fascination, l’inspiration, la collaboration jusqu’à la rêverie et la création de chimères de l’artiste.

Plus de 170 pièces remarquables issues de 44 musées en Europe sont ainsi
réunies pour la première fois. Sur plus de 1 500 mètres carrés d’exposition.


Biennale di Venezia, 56th Exhibition
from 05/09/15 to 11/22/15
Abu Bakarr Mansaray will be among those exhibiting at the 56th edition of the Biennale di Venezia.

The 56th International Art Exhibition is titled "All the World’s Futures" and is curated by Okwui Enwezor and organized by la Biennale di Venezia chaired by Paolo Baratta. The exhibition will form a unitary itinerary that starts at the Central Pavilion (Giardini) and continues at the Arsenale, with over 136 artists from 53 countries, of whom 88 will be showing here for the first time.


Luminós/C/ity.Ordinary Joy: From the Pigozzi Contemporary African Art Collection, Ethelbert Cooper Gallery of African & African American Art, Harvard University, Cambridge, MA, USA
from 10/21/14 to 01/08/15
"We are pleased to announce that the Ethelbert Cooper Gallery’s inaugural exhibition will comprise selections from the Jean Pigozzi Collection of Contemporary African Art (CAAC). David Adjaye, the renowned British-Ghanaian architect and the designer of the Cooper Gallery and the Hutchins Center façade, also serves as co-curator of this first exhibit, along with Mariane Ibrahim-Lenhardt. Adjaye heads a curatorial team that offers a unique dialogue between art and space that we think will set the tone for exhibitions to come. Luminós/City.Ordinary Joy will feature 69 works by 21 artists. It illuminates the everyday, ordinary, and ubiquitous world of the city characteristic of so many of the works in Pigozzi’s collection, evoking a sense of place and facilitating a dialogue between body, home, transit, and dynamic urban dwellings. The models, sculptures, photographs, paintings, and videographies of vital city life will convey a vibrant urgency to the Gallery’s visitors."

Opening in fall 2014, the newly established Ethelbert Cooper Gallery is one of eight flagships of the Hutchins Center at Harvard University. It will feature both contemporary and historical exhibitions and installations of African and African American art of a global diaspora. The innovative and distinctively designed gallery exhibit spaces will house shows organized by curators, faculty, artists, students, and distinguished guests. The gallery will host a wide range of dynamic workshops, artist talks, symposia, lectures and performances to engage audiences with diverse art archives and cultural traditions from all over the world.


Ici l’Afrique / Here Africa - L’Afrique contemporaine à travers le regard de ses artistes
from 05/08/14 to 07/06/14
ICI L’AFRIQUE / HERE AFRICA réunira pour la première fois en Suisse, une exposition d’art contemporain de plus de 25 artistes les plus significatifs du continent africain avec environ plus de 40 œuvres majeures, présentées sur les trois étages du Château de Penthes, à Genève, situé à côté du Palais des Nations Unies.
Les artistes et les réalisateurs* inclus dans l'exposition sont les suivants: Georges Adéagbo (Bénin), Omar Ba (Sénégal), Faouzi Bensaïdi* (Maroc), Filipe Branquinho (Mozambique), Frédéric Bruly Bouabré (Côte d’Ivoire), Edson Chagas (Angola), Romuald Hazoumé (Bénin), Pieter Hugo (Afrique du Sud), Adelita Husni-Bey (Libye), Nadia Kaabi-Linke (Tunisie), Gonçalo Mabunda (Mozambique), Mustafa Maluka (Afrique du Sud), Abu Bakarr Mansaray (Sierra Leone), J.D.’Okhai Ojeikere (Nigeria), Joshua Okoromodeke (Nigeria),Richard Onyango (Kenya), Idrissa Ouédraogo* (Burkina Faso), Chéri Samba (Congo), Sarkis & Guem & Perdrix* (France/Bénin), Zineb Sedira (Algérie), Malick Sidibé (Mali), Abderrahmane Sissako* (Mauritanie), Yinka Shonibare MBE (R.-U./Nigéria), Pascale Marthine Tayou (Cameroun), Barthélémy Toguo (Cameroun).

Vernissage 7 mai 2014 à 18h
8 mai – 6 juillet, 2014 Château de Penthes
Ch. de l’Impératrice, Genève-Pregny
Un projet de ART for The World, ONG associée au Département d’Information publique des Nations Unies
Commissaire générale Adelina von Fürstenberg


Taïpei Biennial, The Great Acceleration / art in the antropocene
from 09/12/14 to 01/04/14
For the edition of 2014, the Biennial invited Nicolas Bourriaud as curator. Under the theme The Great Acceleration / art in the antropocene, it aims to draw a map of our ecosystem, marked by the apparition of circular relations linking human beings, products, machines and nature.


Art Paris, Just Art! Grand Palais, Paris, France
from 03/31/11 to 04/03/11
Afriques - André Magnin (Paris)





ACM, Mansaray, Rigo 23 & Volyazlovsky, Andrew Edlin Gallery, New York, NY
from 06/17/10 to 08/14/10
The Andrew Edlin Gallery presents a selection of works by Abu Bakarr Mansaray as part of a 4-artist summer exhibition.
Mansaray's featured works are populated with ghostly forms. Overtly violent and defiant, they depict anthropomorphized (hominoid) figures mutilated and dismembered by warfare, disease and humiliation. His characters are immersed in streams of blood and gunfire, surrounded by broken glass and strewn with a range of vengeful texts (The Day You See My Face You Will Never See the Next Sunrise).


Insiders, CAPC de Bordeaux, France
from 10/09/09 to 02/07/10
La manifestation Insiders rassemble plus de quatre-vingts artistes, architectes et collectifs de tous horizons qui ont en commun des facons de deborder des limites de leurs disciplines. A la manière des premiers folkloristes, les artistes contemporains se tournent vers une pratique de recensement de matériaux culturels, tandis que les architectes proposent des modes d'exercices alternatifs en relation avec de nouveaux modes d'appropriation de la ville et de l'architecture. La sélection des projets exposés résulte d'une enquête dans les champs respectifs de l'art, et de l'architecture, sur les interrelations entre cultures savantes et cultures populaires. Face aux questions sociales et économiques qui travaillent le monde, face au modèle d'une culture globale, Insiders explore la singularite des dynamiques d'échanges et d'organisations inédites porteuses de nouvelles valeurs collectives.


Africa? Una nuova storia, Complesso del Vittoriano, Rome, Italy
from 11/18/09 to 01/16/10
In this exhibition dedicated to contemporary African art, the Caac is showing works by 20 artists from the collection, including:

Amani Bodo • Pierre Bodo • Frédéric Bruly Bouabré • Demba Camara • Seni Awa Camara • Chéri Chérin • Calixte Dakpogan • Efiaimbelo • Gedewon • Romuald Hazoumé • Bodys Isek Kingelez • Samuel Kané Kwei • George Lilanga • Esther Mahlangu • Abu Bakarr Mansaray • Joshua Okorodomeke • Richard Onyango • Chéri Samba

Take a look at the exhibition:


Read more:

La Repubblica Roma

EventiaRoma.it

Global Project

Roma Beni Culturali

Eclipse Magazine

Cultura Italia

UnDo.Net

Cultura Lazio


Why Africa?
from 10/06/07 to 02/03/08
Pinacoteca Giovanni e Marella Agnelli
Turin, Italy


100% Africa
from 10/12/06 to 02/18/07
The Guggenheim Bilbao


ARTS OF AFRICA
from 07/16/05 to 09/04/05
From traditional arts to the Jean Pigozzi contemporary collection
Grimaldi Forum, Monaco
July 16th to September 4th, 2005, Espace Ravel



Biography (EN - FR) / Exhibitions

Please note that the artworks shown on this website are not for sale.

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AFAA-IBORIG (12) (1997) Mansaray-Abu-Bakarr
The Triumph II (9) (1997) Mansaray-Abu-Bakarr
Sumanguru III (7) (1997) Mansaray-Abu-Bakarr
The UFO Leader (5) (1997) Mansaray-Abu-Bakarr
APPAJAX 2000 (4) (1997) Mansaray-Abu-Bakarr
Mistry (8) Mansaray-Abu-Bakarr
The Sacrifice (6) Mansaray-Abu-Bakarr
The Master (16) Mansaray-Abu-Bakarr
The Kitty Hawk of UFO (15) Mansaray-Abu-Bakarr
Karafilee (14) Mansaray-Abu-Bakarr
The Evil Zone (13) Mansaray-Abu-Bakarr
D.P.G (11) Mansaray-Abu-Bakarr
Masibo (30) Mansaray-Abu-Bakarr
One of the african black Magic. The witch plane Mansaray-Abu-Bakarr
The Manchun (18) Mansaray-Abu-Bakarr
Nambara (17) Mansaray-Abu-Bakarr
Dangerous computer virus Mansaray-Abu-Bakarr


Art exhibitions featuring Abu Bakarr Mansaray - © 2010-2017 The Contemporary African Art Collection - Contact Caacart - Seydou Keita Photographer, the official website, new, click here